The Material Erotic: The Clothed and Unclothed Female Body in the Roman de la Violette
Identifieur interne : 000F02 ( Main/Exploration ); précédent : 000F01; suivant : 000F03The Material Erotic: The Clothed and Unclothed Female Body in the Roman de la Violette
Auteurs : Kathy M. KrauseSource :
English descriptors
- Teeft :
- Aloit enblant, Apielee ligiere, Aude, Autre mestier, Basse sou, Beautiful lady, Beautiful woman, Biele aude, Biele dame, Blanc hermine, Bloody knife, Campenete dedans, Ceste robe, Chanson, Chascune flourete atachie, Chier mantel, Courtly, Courtly lady, Courtly love, Credo prayer, Dame helainne, Dime biaut, Douche note, Embla soir, Encor servi, English translation, Entire text, Euriaut, Fais bra, False claim, Female body, Florence, French literature, Gerart, Gondree, Gothic idol, Grave digger, Haut levee, Homme vergondee, Human form, Human history, Intertextual, Intertextual virtue, Jane bum, Jane burn, Kathy, Krause, Lisiart, Lonc tan, Lovely body, Male gaze, Mantel, Medieval artist, Michael camille, Mien samblant, Naked body, Nakedness, Next morning, Opening scene, Peggy mccracken, Pennsylvania press, Pieres valoient plaisenche, Princeton university press, Purpre alexandrine, Quant, Rhetorical veil, Sarah stanbury, Small bell, Sound sweeter, Sumptuous clothing, Unclothed, Unclothed female body, Violette, Virgin martyr, White flesh.
Abstract
The phrase ‘cultural materialism’, names an approach to cultural analysis that interrogates the socio-economic conditions within which artefacts are produced as well as their participation in other ideological and material fields of culture. Disciplines that have traditionally studied cultural artefacts like literature and painting have increasingly focused on the material production and ideological operation of objects once thought of in idealized or purely aesthetic terms. By the same token, historians - whose work, of necessity, has always tended to deal with the material traces of culture - have increasingly been willing to consider the social and ideological importance of art. The increasing popularity of this cultural studies approach to the past has in turn spurred investigation into other kinds of materiality. Recent historical and literary scholarship, for example, has become increasingly aware of the ways in which the lived materiality of the human body informs a range of cultural discources.
Url:
DOI: 10.1484/M.ASMAR-EB.3.1356
Affiliations:
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Le document en format XML
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<profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Aloit enblant</term>
<term>Apielee ligiere</term>
<term>Aude</term>
<term>Autre mestier</term>
<term>Basse sou</term>
<term>Beautiful lady</term>
<term>Beautiful woman</term>
<term>Biele aude</term>
<term>Biele dame</term>
<term>Blanc hermine</term>
<term>Bloody knife</term>
<term>Campenete dedans</term>
<term>Ceste robe</term>
<term>Chanson</term>
<term>Chascune flourete atachie</term>
<term>Chier mantel</term>
<term>Courtly</term>
<term>Courtly lady</term>
<term>Courtly love</term>
<term>Credo prayer</term>
<term>Dame helainne</term>
<term>Dime biaut</term>
<term>Douche note</term>
<term>Embla soir</term>
<term>Encor servi</term>
<term>English translation</term>
<term>Entire text</term>
<term>Euriaut</term>
<term>Fais bra</term>
<term>False claim</term>
<term>Female body</term>
<term>Florence</term>
<term>French literature</term>
<term>Gerart</term>
<term>Gondree</term>
<term>Gothic idol</term>
<term>Grave digger</term>
<term>Haut levee</term>
<term>Homme vergondee</term>
<term>Human form</term>
<term>Human history</term>
<term>Intertextual</term>
<term>Intertextual virtue</term>
<term>Jane bum</term>
<term>Jane burn</term>
<term>Kathy</term>
<term>Krause</term>
<term>Lisiart</term>
<term>Lonc tan</term>
<term>Lovely body</term>
<term>Male gaze</term>
<term>Mantel</term>
<term>Medieval artist</term>
<term>Michael camille</term>
<term>Mien samblant</term>
<term>Naked body</term>
<term>Nakedness</term>
<term>Next morning</term>
<term>Opening scene</term>
<term>Peggy mccracken</term>
<term>Pennsylvania press</term>
<term>Pieres valoient plaisenche</term>
<term>Princeton university press</term>
<term>Purpre alexandrine</term>
<term>Quant</term>
<term>Rhetorical veil</term>
<term>Sarah stanbury</term>
<term>Small bell</term>
<term>Sound sweeter</term>
<term>Sumptuous clothing</term>
<term>Unclothed</term>
<term>Unclothed female body</term>
<term>Violette</term>
<term>Virgin martyr</term>
<term>White flesh</term>
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<front><div type="abstract">The phrase ‘cultural materialism’, names an approach to cultural analysis that interrogates the socio-economic conditions within which artefacts are produced as well as their participation in other ideological and material fields of culture. Disciplines that have traditionally studied cultural artefacts like literature and painting have increasingly focused on the material production and ideological operation of objects once thought of in idealized or purely aesthetic terms. By the same token, historians - whose work, of necessity, has always tended to deal with the material traces of culture - have increasingly been willing to consider the social and ideological importance of art. The increasing popularity of this cultural studies approach to the past has in turn spurred investigation into other kinds of materiality. Recent historical and literary scholarship, for example, has become increasingly aware of the ways in which the lived materiality of the human body informs a range of cultural discources.</div>
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